MIRACULOUS MIRACLES™

Saint — Cecilia

St. Cecilia
Mid-2nd century, Rome (traditional) — c. 177 AD, Rome (traditional dating; alternate datings range as late as the early 3rd century)
Roman Virgin-Martyr of Trastevere — Patroness of Music and Musicians
Basilica of Santa Cecilia in Trastevere, Rome, Italy
Feast
November 22
Canonized
Cult of immediate antiquity; one of seven women named in the Roman Canon
✠ MartyrStruck three times by the executioner's sword; died three days later in Rome, c. 230 → The Martyrs
Life

Cecilia was — per the universal Roman tradition first attested in the late-4th-century Acts of St. Cecilia and continuously venerated since — a young Roman patrician virgin of the noble Caecilii Metelli family, who from childhood had privately consecrated her virginity to Christ. Her parents arranged her marriage to a young pagan Roman noble named Valerian. On the wedding night Cecilia revealed to Valerian her vow and her angel-guardian, and asked him to respect her consecrated virginity. Valerian asked to see the angel; Cecilia replied that he would see the angel if he received baptism. He went to Pope Urban I (or — in earlier datings — to an unspecified Roman bishop) at the catacombs, received baptism, and returned to find Cecilia in conversation with the angel, who placed two crowns of lilies and roses on their heads. Valerian's brother Tiburtius was converted at the same encounter.

All three were eventually arrested by the Roman prefect Almachius. Valerian and Tiburtius were beheaded; Cecilia was condemned to be suffocated in the hot vapours of her own villa's bath-room. After a day and a night of attempted suffocation she remained unharmed; the prefect then sent an executioner to behead her. He struck her three times with the sword (the legal maximum permitted by Roman judicial procedure) but failed to sever the head from the body. She lived three days in this state, distributing her property to the Roman poor and asking the Roman bishop to convert her villa into a Christian church before she died.

Her villa was indeed converted into a church — the great Basilica of Santa Cecilia in Trastevere, which stands on the same site. In 1599 the tomb was opened during a restoration; Cecilia's body was found incorrupt, lying on her right side with her face turned to the floor and her three sword-cuts visible at her neck. The sculptor Stefano Maderno was present and sculpted from direct observation the famous marble Cecilia of 1600 — which lies beneath the high altar of the basilica to this day, representing exactly the posture of the body. She is one of the seven women specifically named in the Eucharistic Canon of the Roman Mass.

Miracles & Phenomena
  • The body found incorrupt (1599)

    Cecilia's body was found substantially incorrupt at the 1599 opening of her tomb, exactly fourteen centuries after her martyrdom. The Maderno marble sculpted directly from observation of the body in 1600 lies beneath the basilica's high altar to this day.

  • Music vision (medieval tradition)

    The medieval Catholic tradition (developed in the 12th–15th centuries) holds that during the playing of the pagan musical instruments at her wedding feast, Cecilia 'sang in her heart to the Lord alone' — the basis of her later universal patronage of Christian music.

Relics
  • Body
    Incorrupt body of St. Cecilia
    Basilica of Santa Cecilia in Trastevere, Rome — beneath the high altar

    Her body — found substantially incorrupt at the 1599 opening of the tomb — lies beneath the high altar of the basilica in the marble representation by Stefano Maderno (1600). The basilica also preserves the room of the attempted suffocation (the calidarium of her Roman villa, now a chapel).

Iconography
  • Cecilia at the organ

    The young Roman virgin in long Roman tunic seated at a small portable medieval organ, the angel-crown above her head, a small palm of martyrdom at her side — the iconographic emblem of music as Christian prayer; depicted by Raphael, Domenichino, Rubens, and the entire baroque tradition.

Patronages
Music and musicians (declared 1594 by Pope Sixtus V)Catholic church musicChoirs and choirmastersComposersHymn-writers and poetsOrgan-builders and playersSingersRome