MIRACULOUS MIRACLES™

Saint — Gregory the Great

St. Gregory the Great
c. AD 540, Rome — March 12, 604, Rome
Servant of the Servants of God — Doctor of the Church
St. Peter's Basilica, Vatican, Vatican City
♕ The 64th Bishop of RomeReign: September 3, 590 — March 12, 604
Feast
September 3
Doctor of the Church
Yes
Life

Gregory was born to a wealthy Roman senatorial family with three popes in his ancestry. Trained for the law, he rose to be Prefect of the City of Rome at about thirty — the highest civic office in what remained of the Western empire. Suddenly, in 574, he gave it all up: he sold his vast Sicilian estates to found seven monasteries, turned his family's house on the Caelian Hill into the eighth (San Gregorio al Celio), and took the Benedictine habit himself.

He served as papal legate to Constantinople (579–586), where he learned Greek poorly but observed the imperial Church closely. Returned to Rome, he was Abbot of his own monastery on the Caelian when, in 590, after the plague had killed Pope Pelagius II, the clergy and people elected him pope by acclamation. He resisted, but he was consecrated on September 3, 590.

His fourteen-year pontificate is a foundational moment for the Western Church. He organised relief from his own resources for the Roman poor during the famine that followed the plague. He defended Rome against the Lombards, paying tribute from Church funds when imperial troops failed to come. He sent St. Augustine of Canterbury and forty monks to England in 596, beginning the conversion of the Anglo-Saxons. He systematised the liturgy and the chant that would bear his name (the Gregorian Reform of liturgical music). He wrote the Dialogues (preserving the principal early Life of St. Benedict), the Pastoral Rule (the textbook of the medieval bishop for a thousand years), the great Moralia on the Book of Job, and Homilies. He took, for the first time, the title 'Servant of the Servants of God' — the title every pope has used since.

Miracles & Phenomena
  • The Mass of St. Gregory

    Tradition holds that while Gregory celebrated Mass at the Basilica of Santa Croce in Gerusalemme, Christ appeared to him at the altar as the Man of Sorrows — surrounded by the Instruments of the Passion. The vision, said to have been given to remove the doubt of one of those present concerning the Real Presence, became one of the most-painted subjects of late medieval and Renaissance Europe.

  • The Angel and the Castel Sant'Angelo

    AD 590

    During the great plague of 590 that brought him to the papacy, Gregory led a penitential procession through Rome. As the procession crossed the Tiber, he saw the Archangel Michael atop the great cylindrical mausoleum of Hadrian sheathing his sword — a sign the plague had ended. The mausoleum has been called Castel Sant'Angelo ever since; a great bronze statue of Michael still crowns it.

  • Conversion of the English

    AD 596

    Encountering English slave boys for sale in the Roman forum, Gregory asked who they were. 'Angles,' he was told. 'Not Angles but angels,' he replied. Becoming pope, he sent the Benedictine prior Augustine and forty monks to England in 596, beginning the conversion of the Anglo-Saxons — for which the English call Gregory their Apostle.

Relics
  • Body
    Tomb of St. Gregory the Great
    Chapel of St. Gregory, St. Peter's Basilica, Vatican

    His relics were translated to St. Peter's. They rest in the Chapel of St. Gregory in the right aisle, beneath an altar with Andrea Sacchi's Mass of St. Gregory (1625–27) — depicting the appearance of Christ as the Man of Sorrows.

  • Object
    Cell and Personal Items
    Monastery of San Gregorio al Celio, Rome

    His family house on the Caelian Hill, which he turned into a Benedictine monastery, is now the church and monastery of San Gregorio al Celio. The marble chair in which he taught, his cell, and a stone slab he reportedly slept on are preserved.

Iconography
  • Gregory with the Dove of the Holy Spirit

    His most famous depiction — Gregory at his writing desk, a dove perched at his ear dictating. Originally a hagiographical image of inspiration, it became the source of the medieval iconography of every Doctor of the Church.

  • Mass of St. Gregory
    Sassetta, Israhel van Meckenem, Andrea Sacchi, many others

    The appearance of Christ as the Man of Sorrows at his altar, surrounded by the Instruments of the Passion. One of the most-painted Eucharistic scenes of the late Middle Ages and early Renaissance.

Patronages
Musicians and singers (Gregorian chant)Teachers and educatorsStonemasonsStudentsEngland (for sending Augustine of Canterbury)
Sources & Further Reading